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93
EN
Customizing camera settings
10
Wireless remote control ash photography
External ash units that offer a remote control mode and are designated for use
with this camera can be used for wireless ash photography. The camera can
independently control up to 3 groups consisting of the supplied ash unit and/or remote
ash units. See the documentation provided with the external ash units for details.
1
Set the remote ash units to RC mode and place them as desired.
Turn the external ash units on, press the MODE button, and select RC mode.
Select a channel and group for each external ash unit.
2
Select [On] for [# RC Mode] in X Shooting menu 2 (P. 107).
The super control panel switches to RC mode.
You can choose a super control panel display by repeatedly pressing the INFO
button.
Select a ash mode (note that red-eye reduction is not available in RC mode).
3
Adjust the settings for each group in the super control panel.
Flash intensity
value
250250 F5.6
0.0
0.0
P
3838
A Mode
TTL
M
Off
+5.0
TTL +3.0
1/8
LO
1
Ch
Group
Select the ash control
mode and adjust the ash
intensity separately for
each group. For MANUAL,
select the ash intensity.
Normal ash/Super FP ash
Switch between normal
ash and Super FP ash.
Communication light level
Set the communication
light level to [HI], [MID],
or [LO].
Channel
Set the communication
channel to the same
channel used on the ash.
Flash
intensity
Flash control
mode
Adjust settings for the
supplied ash unit.
4
Attach the supplied ash unit and raise the ash head.
After con rming that the built-in and remote ash units have charged, take a test
shot.
Wireless ash control range
Position the wireless ash units with their
remote sensors facing the camera. The
illustration on the right shows the approximate
ranges at which the ash units can be
positioned. The actual control range varies with
local conditions.
7m
5m
100°100°
50°
50°
50°
50°
60°
60°
30°
30°
30°
30°
# Cautions
We recommend using a single group of up to three remote ash units.
Remote ash units can not be used for second curtain slow synchronization or anti-shock
exposures longer than 4 seconds.
If the subject is too close to the camera, the control ashes emitted by the supplied ash
may affect exposure (this effect can be reduced by reducing the output of the supplied
ash by, for example, using a diffuser).